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Shaun tan interview the arrival5/24/2023 ![]() ![]() They’re two-dimensional and flat: it’s a witch, it’s a boy, it’s a prince, it’s a princess. ![]() “The stories are a bit like the shadows in Plato’s cave. “I think he’s absolutely right,” says Tan. Exploring Tan’s resort to sculpture for the project, the author of the profile invokes the words of Philip Pullman, who, in his introduction to his own versions of Grimm’s tales,Ĭautions against illustration, suggesting that it can run counter to the spirit of works in which description and characterisation must nearly always give way before the electric pace of the narrative. A couple of years ago, the Financial Times profiled him on the occasion of the publication of The Singing Bones, an art book showcasing his papier-mâché sculptures inspired by fairy tales of the Brothers Grimm. ![]() Tan is an artist-storyteller, creator of some of the most imaginative and mind-enhancing picture books I know. I’d like to share some thoughts about one of the books that was championed (by Kiera Parrot, of the Darien Public Library): Shaun Tan’s The Arrival. Thursday night, December 3, we held our last Battle of the Books for 2020. “The New Country” by Shaun Tan, from his book The Arrival, published by Arthur A. ![]()
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